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Sound design possibilities on the SunSyn are nearly endless, and the results of our process with it are evident. An expensive and somewhat painful process but worth it in the end, as our sound designers headed off to work on a fully-restored and perfectly calibrated instrument with factory-spec parts. In our case, to complete the servicing and refurbishment our tech had to purge parts from a second unit. Many parts for the SunSyn are extremely rare and almost impossible to source. Working with such a complicated instrument has its challenges, especially given its age and limited production.
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But unlike fully analog systems the modulation routings here can be quickly made through an interactive matrix and saved in patch memory for instant recall. In spirit it's much closer to that of larger modular analog systems, allowing 4096 possible routings per element, 4 elements per voice, all done in the analog domain. But maybe the most groundbreaking aspect is the modulation matrix. The filter section is equally impressive, with a morphable 4-pole true analog filter with discrete control over each pole's cutoff frequency. Each voice is outfitted with 2 true analog oscillators capable of saw, square, or pulse with PWM, and 2 guided digital oscillators with hundreds of waveforms and custom sample support. Released in 1999, it can be considered in simple terms as an 8-voice polyphonic analog/digital hybrid, or in a more adventurous way as 8 discrete modular mono synths. A feat of instrument design, the SunSyn is a fantastically complex-in-all-the-right-places labor of love from German synthmaker JoMoX.